Building
Sander Pierron, a popular early 20th century writer, journalist and art critic, was a great admirer of Victor Horta. He therefore asked Horta to design a rather modest house for him, in line with his limited financial means, but nevertheless imaginative.
Note this façade, which, although simple, displays Horta’s easily recognisable style. The two most remarkable elements are the front door, with its blue stone surround, and the balcony on the top floor, featuring a large window… This was the room in which Sander Pierron worked.
To cover the façade, Horta used red bricks and glazed white bricks. The latter enliven the façade and form polychrome designs, which are fairly rare in Horta’s work. Despite the modest means available, bronze details are not left out: admire the stylised letter box and the moulded bell pull in the form of a swan’s neck.
The interior layout is not as original as those of other creations by Horta. However, as a whole, it is well-appointed and elegant, and provides a feeling of comfort. The light, which filters through the yellow ochre stained glass in the mezzanine doors, is very beautiful. The foot of the staircase and its finely crafted bannister, as well as the mosaic floor in the entrance, give this house a great deal of charm.
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Note this façade, which, although simple, displays Horta’s easily recognisable style. The two most remarkable elements are the front door, with its blue stone surround, and the balcony on the top floor, featuring a large window… This was the room in which Sander Pierron worked.
To cover the façade, Horta used red bricks and glazed white bricks. The latter enliven the façade and form polychrome designs, which are fairly rare in Horta’s work. Despite the modest means available, bronze details are not left out: admire the stylised letter box and the moulded bell pull in the form of a swan’s neck.
The interior layout is not as original as those of other creations by Horta. However, as a whole, it is well-appointed and elegant, and provides a feeling of comfort. The light, which filters through the yellow ochre stained glass in the mezzanine doors, is very beautiful. The foot of the staircase and its finely crafted bannister, as well as the mosaic floor in the entrance, give this house a great deal of charm.
To cover the façade, Horta used red bricks and glazed white bricks. The latter enliven the façade and form polychrome designs, which are fairly rare in Horta’s work. Despite the modest means available, bronze details are not left out: admire the stylised letter box and the moulded bell pull in the form of a swan’s neck.
The interior layout is not as original as those of other creations by Horta. However, as a whole, it is well-appointed and elegant, and provides a feeling of comfort. The light, which filters through the yellow ochre stained glass in the mezzanine doors, is very beautiful. The foot of the staircase and its finely crafted bannister, as well as the mosaic floor in the entrance, give this house a great deal of charm.
Building
Hôtel Max Hallet
Bruxelles
Victor Horta
Building
Hôtel Aubecq
Bruxelles
Victor Horta
Building
Maison du Peuple
Bruxelles
Victor Horta
Building
Hôtel Deprez-Van de Velde
Bruxelles
Victor Horta
Building
Mortuary and Chapel of Brugmann Hospital
Bruxelles
Victor Horta
Building
Hôtel Frison
Bruxelles
Victor Horta
Building
Maison Vinck - Huis Vinck
Ixelles
Victor Horta
Building
Hôtel Tassel
Bruxelles
Victor Horta
Building
Hôtel van Eetvelde
Bruxelles
Victor Horta
Building
Hôtel Winssinger
Saint-Gilles
Victor Horta
Building
Hôtel Solvay
Bruxelles
Victor Horta
Building
The Former Wolfers store
Bruxelles
Victor Horta
Building
Kindergarten n. 15
Bruxelles
Victor Horta
Building
Magasins Waucquez
Bruxelles
Victor Horta
Building
Horta House
Saint-Gilles
Victor Horta
Building
Personal House of the Sculptor Pierre Braecke
Bruxelles
Victor Horta
Building